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Inge Clayton has lived and worked in London since arriving from
Austria in the sixties.
She studied life drawing, collage and printmaking at the Camden Arts
Centre and soon developed her individual style, though traditional
concepts of beauty do not interest her.
British critics are often quick to point out the European heritage
in this painter's work and have likened her to artists such as Otto
Dix, Kokoschka, and perhaps George Grosz, but her nudes are sensuous
and painterly in style, very much her own. Above all this connection
to her roots is the most striking when one considers how powerful
her nudes remain despite their naked or half-dressed abandonment and
apparent vulnerability. There is nothing British and oblique about
their gaze. Her figures may look at you, unabashed, a little
startled, or may prefer to contemplate some dark corners of their
soul, amused, pensive, or even with genuine ennui.
Inge Clayton is a frequent exhibitor at the Royal Academy. Other
notable exhibitions include the Royal Society of Art; Art for
Equality at the ICA; Kunsthaus Schaller, Stuttgart; The Camden Arts
Centre; Lumley Cazalet; and Galerie Mozart-Salzburg.
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